it comes as 4 pages digipack with a 16 pages booklet, detailed textx by Dr. Giovanni De Zorzi (University of Venice) illustrating the man ifeatures of the CentralAsia cllassical music, Munojat tbio, maqam importance, instruments detailed introduction to each track, various photos,
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from the modal suite in maqom Navoof the shashmaqom repertoire; gazal by Fuzuliy.
The synthetic title indicates a particular vocal form called mustazod composed on the lively and fascinating rhythmic cycle called qashqarcha extracted from the long modal suite in mode (maqom) navo. The XVI century poet Fuzuliy is credited here as the author of the text. The whole ensemble in its heterophonic splendour, with ghijak, nay and qoshnay in front, introduces and comments with refrains Munojot singing.
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