it comes as 4 pages digipack with a 16 pages booklet, detailed textx by Dr. Giovanni De Zorzi (University of Venice) illustrating the man ifeatures of the CentralAsia cllassical music, Munojat tbio, maqam importance, instruments detailed introduction to each track, various photos,
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traditional; gazal by Nodira
The beautiful and deep tone of sato played by Turgun Alimatov introduce a traditional and anonym vocal tune extracted from the small song suite that represents the cultivated vocal tradition of Fergana valley. The composition in maqom chargoh is marked by a very slow 4/4 marked by the typical and very essential bum-takon the doyra. The intense voice slowly and dramatically ascends on the text of a gazal by Nodira, a nom de plûme (taxallus) of the Fergana poet Mohlaroyim (Моҳларойим) (Andijon, 1792, - Qoqand, 1842) a famous poet and stateswoman. Yet, other sources attribute the text to Persian poet Hāfez of Shiraz (d. 1389) translated in Uzbek. The ensemble answers with instrumental refrains marked by the timber of the qoshnay.
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